As a Sith, Darth Plagueis was a devotee of the Dark Side of the Force, which grants enormous powers to those brave enough to become living conduits for passions like hatred and anger. Such a person would be the exact opposite of what Plato would call “wise.” For Plato, wisdom is a virtue that is inextricably bound to humility and justice. The paradox presented in this chapter opens horizons for reflection on the themes of ethics, wisdom, and freedom. (...) It also raises the possibility that Plato's ideal of wisdom is too narrow, and that a different philosophy of life might better explain the existence of a wise Dark Lord of the Sith. Plagueis focused on the instinct of life by seeking to unlock the secret of an eternal existence. Friedrich Nietzsche offers a liberating wisdom in a verse worthy of preservation within even the rarest of Sith holocrons. (shrink)

Name der Zeitschrift: Semiotica Jahrgang: 2018 Heft: 221 Seiten: 261-277.

Jar Jar Binks might be the most hated individual in the Star Wars universe. He should feel a great deal of guilt over his actions in the Senate, though well meaning, because they caused so much strife. This chapter considers how Darth Vader would reflect on his own actions: it is unlikely that he feels particularly good about inadvertently provoking Leia's confession of love. The chapter now talks about Immanuel Kant. Kant's ethics are focused on intentions, the reasons why (...) people choose to act as they do. Jar Jar was, like most of the Senate, a victim of Palpatine's deceptions. The author highlights that it is fair to say that Jar Jar did not make the choice to grant Palpatine emergency powers because he could not do otherwise. So, even though the consequences were grave, and Jar Jar's decision hasty, he can be absolved for what he did. (shrink)

This chapter opens with a discussion on the Luke Skywalker's role in Return of the Jedi. At the end of the film Skywalker must make a decision whether to ignore the utilitarian principle that he must kill his father to save the galaxy, or violate the ethical principle against dishonoring and murdering his own father and risk being turned to the dark side by the Emperor. Both are unacceptable to Luke. So he will have to turn a Sith to the (...) light side of the Force. Such a maneuver requires a leap of faith, and for that this chapter turns to a man who knew just how hard it was: the Danish philosopher Soren Kierkegaard. Luke realizes that killing Darth Vader will not bring balance to the Force. Luke defeats Vader in the duel, but saves him in not ending it the way everyone has been telling him to. (shrink)

Fatherly love should be evident in caring for the health and good of one's children, seeking to safeguard them from harm and to encourage their integrity. However, in Star Wars, Darth Vader promises his son's survival only on the condition that Luke Skywalker will serve his own monstrous, tyrannical master. Utilizing a philosophy of love and goodness to show how the parent–child relationship may be lost or regained, this chapter examines the transition in Anakin's life from a natural love (...) of others to a distorted, toxic caricature of love. The drama and trauma displayed in Star Wars allow us to recognize how an admirable love can lose its value, and in fact can become what motivates people to outrageously wicked acts. The chapter highlights that the good of the love in such relationships needs to be tempered by humility and wisdom. (shrink)

Relationships between children and parents pervade the Star Wars saga, especially if people include surrogate parents. Anakin's relationship with his mother, Shmi, in the prequels impacts his trajectory toward the dark side. In The Mandalorian, Mando's role as a surrogate father to Grogu transforms them into a “Clan of Two”. But the most significant parent‐child relationship in the saga may be the one between Luke Skywalker and Darth Vader. Confucius's teachings highlight the importance of benevolence, social order, and ritual (...) propriety among other virtues and values. This chapter shows that understanding Luke's surrender to Vader in terms of Confucian filial piety makes sense of how Luke is able to overcome the allure of the dark side and become a Jedi. Confucius's Analects has a moral framework called “exemplarism”. This is the idea that moral knowledge and practice do not start with principles, rules, duties, consequences, or character traits. (shrink)

The elephant in the room -- Crabs and octopuses -- The central intelligence of a frog -- The cerebral cortex and consciousness -- Social consciousness -- Yoda and Darth: how can we find -- Consciousness in the brain? -- The hard problem and other perspectives on consciousness -- Conscious machines -- Uploading minds -- How to build visual consciousness.

This chapter contains sections titled: Introduction Misuse of Data Misuse of Research Funds.

This article focuses on situations and emotional perception. To this end, I start with the Kuleshov effect wherein identical shots of performers manifest different expressions when cut to different contexts. However, I conducted experiments with a twist, using Darth Vader and non-primates, and even here expressions varied with contexts. Building on historically and conceptually linked Gibsonian, Gestalt, phenomenological and pragmatic schools, along with consonant experimental work, I extrapolate these results to defend three interconnected points. First, I argue that while (...) perceiving expression is sometimes about reading minds, it is more squarely about perceiving solicitations or closures for action. Second, I frame expressions as a subcategory of Gibson’s affordances. This includes those showing up through context, in turn suggesting Kuleshov-like scenarios are not mere perceptual tricks. Third, I maintain that situations—with or without other human beings—have action-motivating expressive qualities or what Gestalt theorists called physiognomic characters, following Werner. These likewise emerge through ecological relations, and are very much like affordances and in the world as much as them. With resemblance theories, my account agrees that we perceive expression in the world. However, it indicates a broad range of cases in which expression shows up as consequences of overall situations that solicit or close actions, as opposed to mere resemblance between entities and human expressions. (shrink)

Brian Epstein has argued (in The Ant Trap and ‘Anchoring versus grounding’) that social kinds ‘export’ across worlds. Although the conditions for war criminality are not ‘fixed’ in the Empire, for instance, Darth Vader is a war criminal there. And, according to Epstein, an account of social construction should imply that he is. Ultimately, he argues that ‘grounding-only’ accounts of social construction – like those proposed by Jonathan Schaffer and Aaron Griffith – imply that social kinds do not export (...) across worlds. As a result, he argues that we need more than grounding; in particular, we need both grounding and what he calls ‘anchoring’ to account for it. In this paper, I argue that, once we draw a distinction between what I call ‘thick’ and ‘thin’ social kinds, Epstein’s argument is either invalid or irrelevant. (shrink)

In Lucas's universe, the Jedi have a special capacity to connect with the Force. There is nothing more powerful in human psychology than the power of attraction in the love of one person for another. The power of passionate love between persons – sexual‐love or love of the body – is experience of the Force. The Jedi also teach their trainees to have a detached, compassionate love for others that is sometimes called “Platonic love.” Anakin's transformation into Darth Vader (...) seems to contradict a prophecy about him: that he's the Chosen One who would bring balance back to the Force. Star Wars doesn't leave the original love, Anakin's passionate love for Padmé, behind. The Force love of Rey and Ren concludes the drama of love that finally achieves the balance of the Force in the sequel trilogy. (shrink)

In The Devil and Philosophy, 34 philosophers explore questions about one of the most recognizable and influential characters (villains?) of all time. From Roman Polanski's The Ninth Gate to J. R. R. Tolkien's The Silmarillion to Bram Stoker's Dracula to Darth Vader to Al Pacino's iconic performance in The Devil's Advocate, this book demonstrates that a little devil goes a long way. From humorous appearances, as in Kevin Smith's film Dogma and Chuck Palahniuk's novels Damned and Doomed, to more (...) villainous appearances, such as Gabriel Byrne's cold outing as Satan in End of Days, The Devil in Philosophy proves that the Devil comes in many forms. Are there any good arguments for the actual existence of the Devil? Does demonic evil thrive in Gotham City? Can humans really be accountable for all evil? Which truths about the Devil are actual facts? Is Milton correct, in that the Devil believes he is doing good? Through the lenses of Jung, Kant, Kundera, Balkan, Plato, Bradwardine, Aristotle, Hume, Blackburn, Descartes, Lavey, Thoreau, and Aquinas, The Devil and Philosophy takes a philosophical look at one of time's greatest characters. (shrink)

There is an imbalance of gender roles in everyone's favorite space saga, with the vast majority of characters played by males while the female parts are minimized at nearly every turn. But the underlying problem of womanhood in Star Wars might be even more insidious than Darth Sidious himself. This chapter explains why it is difficult to embrace a strong female identity anywhere, let alone in the midst of intergalactic war. It analyzes whether the women in Star Wars have (...) what it takes to bring feminism to the Force. While Princess Leia and Queen Amidala are instantly recognizable figures in popular culture, the question arises whether they represent women positively. While Leia and Padmé are typically recognized as the feminist icons of Star Wars, they are not all the films have to offer. The women of Star Wars offer just as much as any of the individual male characters. (shrink)

In one of the most stunning Star Wars story lines, the Republic's clone troopers turn on and kill their Jedi generals upon receiving – personally from Darth Sidious – the message, “Execute Order 66.” Animated series such as The Clone Wars, The Bad Batch, and Rebels, novels such as Order 66, and comics such as Star Wars: Republic more deeply explore and explain Order 66. The clones' inhibitor chip degrades or destroys their capacity for independent thought, testifying to the (...) fragility of moral autonomy. The Republic apparently faces many challenges as they turn to the Kaminoans to clone an army that can successfully fight the Separatist droid army. The clones' moral autonomy was indeed quite fragile upon hearing the order. It takes autonomy to make a competent soldier, especially an elite clone trooper. (shrink)

At first, he was merely scary and cool: tall, shrouded in black, with a deep, forbidding mechanized voice. Darth Vader, dark lord of the Sith -- torturer, murderer, fiend. But Vader, who returns to screens this week in Star Wars: Revenge of the Sith, isn't simply evil, which may add to his appeal. While the first three released Star Wars films tracked Vader's redemption -- introducing him as the embodiment of evil, then revealing he was Luke Skywalker's father, then (...) allowing him to redeem himself -- the prequel trilogy has chronicled his descent, from sunny-faced slave boy to Sith lord. (shrink)

Film and television portrayals of posthuman cyborgs melding biology and technology, simultaneously “animal and machine” abound. Most of us immediately think of iconic characters like Arnold Schwarzenegger’s relentless cyborg assassin in the Terminator series or Peter Weller’s crime-fighting cyborg police officer in Robocop (1987). Or perhaps we recall the many cyborgs populating the Dr. Who, Star Trek, and Star Wars television series and films—including Darth Vader, surely the most famous cinematic cyborg of all time. But lesser-known explorations of cybernetic (...) embodiment have appeared in film and television for many decades. And not all portrayals involve the sort of extreme transformations exemplified by these iconic characters. This chapter considers some of different ways that film and television have explored the transformative relation between embodiment and technology. (shrink)

From widespread unemployment and mounting international hostilities, every day we are swept into more political chaos--so one brave man looks to the Star Wars universe for answers to our most urgent problems. "You can't stop the change -- anymore than you can stop the sun from setting." Anakin Skywalker was never able to live with this wisdom shared by his mother on the day he left home to train as a Jedi Knight. That failure led him to becoming the fearsome (...) villain we all know as Darth Vader. We're living in a time of unprecedented and rapid change. An age of chaos. Democracies are in decline worldwide. Dictators are ascendant. Civic organizations are crumbling. People feel lonelier and more rudderless than in any other time in recent history. We've tried to slow down, and in some cases we, like Anakin, have tried stop the change, but failed at every turn. The fears that come with living in an age of disruption have produced public anger, and that anger has swelled movements of hate. Author Stephen Kent believes part of the solution is hiding in plain sight. A story that binds together multiple generations with a common language, a moral framework, and a sense of wonder. It's Star Wars. What if we looked to Star Wars for more than just entertainment? How the Force Can Fix the World takes this challenge on by analyzing the core principles of the Star Wars franchise: HOPE, CHOICE, HUMILITY, EMPATHY, REDEMPTION, BALANCE and rejecting FEAR. Together, these are the Star Wars roadmap for living better lives, and maybe even fostering a better politics. The path that we're on -- where fear leads to anger, and anger to hatred -- will only end in suffering. But Star Wars shows us the way back from the brink. Shared stories of virtue that are beloved across cultures and political divides are hard to come by, but Star Wars is one such story. Turn on the news; things are pretty broken right now -- but the Force can fix the world. (shrink)

Few Star Wars characters are more beloved than Luke Skywalker, Jedi Knight, son of Darth Vader, and mentor to Rey. Fictional characters like Luke are wholly defined by how people understand, interpret, and evaluate their depictions within the fictions in which they appear. This chapter explores various ways to provide identity conditions for fictional characters. It examines a more sophisticated, but again ultimately incorrect, account of fictional character identity: the Say‐So Account, in which authors determine whether two characters, from (...) two fictional works, are identical. The Perspectival Account avoids the problems seen in the earlier accounts and provides the authors with an adequate account of identity conditions for fictional characters. Further, the Perspectival Account allows the authors to explain how the truth‐value of fictional character identity claims can change over time. (shrink)