Cet article vise à étudier les intersections entre genre, animaux et animalité dans le mythe grec antique de Callisto et Arcas, tel qu’il est raconté par plusieurs textes grecs et latins, dont Ovide, qui est la source privilégiée de notre enquête. Le mythe est analysé à la lumière des représentations et des significations symboliques que les cultures grecque et romaine associaient à l’animal en question, l’ourse, et plus particulièrement à sa maternité, afin de voir si certaines des caractéristiques qui (...) lui sont attribuées dans la zoologie ancienne peuvent offrir de nouvelles pistes de compréhension du mythe de Callisto. La plasticité habituelle des mythes anciens se mélange, en effet, à la polysémie de la figure de l’ourse-mère, donnant ainsi lieu à des versions différentes du même mythe, qui partagent tout de même une caractéristique. En effet, la mère et l’enfant sont toujours séparés : par conséquent, l’histoire de Callisto et d’Arcas se configure comme une histoire de maternité inaccomplie. (shrink)

The article presents the first edition of the Chapters on the purity of the soul written by the patriarch of Constantinople, Callistus I , with an italian translation and commentary. Many themes of the Chapters are related to the byzantine ascetical tradition and the teaching of Callistus' spiritual father, Gregory the Sinaite. Others are connected to the theological discussions of the period and the polemics of the patriarch against Nicephorus Gregoras.

This article examines a neglected ancient source for desire between women that nonetheless has a rich reception history in the context of female homoeroticism: the Callisto episode in Ovid’s Metamorphoses. The article argues that the relationship between Diana and her hunting companion Callisto can be read as homoerotic and that, unlike many ancient accounts of female-female eroticism, neither character is represented as a tribas (a gender-deviant “woman” with a masculinized body, who seeks to penetrate other women). The (...) class='Hi'>Callisto episode is therefore an invaluable piece of evidence for ancient discourses on sexuality exceeding the bounds of the active/passive model. (shrink)

In this article I will explore the relationship between man and animal as presented by Ovid in some of his rape stories narrated in the Metamorphoses. The stories I will discuss are those of Actaeon and Callisto, the rape of Europa and the rape of Proserpina. Against Ovid’s background, I will examine Rembrandt’s version of these stories. In other words, I will investigate how Ovid’s textual construction of animals vs. humans relates to Rembrandt’s painterly construction of them. Accordingly, I (...) will explore how Rembrandt’s presentation of animals in his mythical images may reflect some of the prevalent attitudes of the period towards animals. My final goal is to address the question of the sublime in Rembrandt’s myths of human-animal transformation. Specifically, I will try to show that in his work the animals become agents of the sublime on a par with humans and gods. I will argue that similarly to Ovid’s reader, Rembrandt’s viewer experienced awe, amazement, even terror in front of his depictions of sublime passions, impossible disguises and transformations, his stories of violence, enacted collaboratively between man and animal. (shrink)

“Witty and profound” musings on questions of art and religion from a celebrated novelist known for her philosophical explorations (Library Journal). For centuries, the works of Plato, featuring his mentor and teacher Socrates, have illuminated philosophical discussions. In Acastos: Two Platonic Dialogues, acclaimed philosopher, poet, and writer Iris Murdoch turns her keen eye to the value of art, knowledge, and faith, with two dramatic conversations featuring Plato and Socrates. “Art and Eros”: After witnessing a theatrical performance, Socrates and his pupils—Callistos, (...) Acastos, Mantias, Deximenes, and Plato—undertake a quest to uncover the meaning and worth of artistic endeavors. “Above the Gods”: The celebration of a religious festival leads to a lively discussion of the gods and their place in society, as Socrates, along with several of his followers, talk about the morality of religion, wisdom, and righteousness. Told through vivid characterizations and lively discourse, Acastos is at once a “profound and satisfying” exploration of the Socratic method and an enjoyable example of theatrical writing from a Man Booker Prize–winning novelist known for her studies with Ludwig Wittgenstein and her philosophy lectures at Oxford University, as well as for such works of fiction as The Sea, The Sea and The Black Prince (Kirkus Reviews). (shrink)