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  1. The Fate of Art: Aesthetic Alienation from Kant to Derrida and Adorno.Theodore Gracyk - 1993 - Journal of Aesthetics and Art Criticism 51 (4):646-648.
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  • The Romantic Sublime: Studies in the Structure and Psychology of Transcendence.Melvin Rader - 1976 - Journal of Aesthetics and Art Criticism 35 (2):253-255.
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  • Observations on the Feeling of the Beautiful and the Sublime.Johann Jacob Kanter, Johann Georg Hamann, The False Subtlety, Four Syllogistic Figures, Natural Theology, Berlin Academy, Moses Mendelssohn, On Evidence, Only Possible Argument, Negative Magnitudes, Pure Reason, The Observations, An Attempt, Winter Semester, Edmund Burke, Philosophical Enquiry & Our Ideas - 1961 - Philosophical Books 2 (2):7-9.
    Contents \t\t\t\t\t \tTRANSLATOR'S INTRODUCTION \t\t1 \t \tNOTE ON THE TRANSLATION \t\t39 \t OBSERVATIONS ON THE FEELING OF THE BEAUTIFUL AND SUBLIME \t\t\t\t\t \tSECTION ONE: \t\t\t\t \t\tOf the Distinct Objects of the Feeling of the Beautiful and Sublime \t\t45 \tSECTION TWO: \t\t\t\t \t\tOf the Attributes of the Beautiful and Sublime.
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  • The Beautiful, the Sublime and the Picturesque in Eighteenth-Century British Aesthetic Theory.Walter John Hipple - 1958 - Journal of Aesthetics and Art Criticism 17 (2):278-279.
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  • The Ideology of the Aesthetic.Terry Eagleton - 1991 - Journal of Aesthetics and Art Criticism 49 (3):259-261.
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