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  1. Strange Bedfellows: Ayn Rand And Vladimir Nabokov.D. Johnson - 2000 - Journal of Ayn Rand Studies 1 (3):47-67.
    D. BARTON JOHNSON traces the parallel lives and literary origins of two Russo-American writers: Ayn Rand and Vladimir Nabokov. Born in Saint Peterburg six years apart, they overlapped on the New York Times bestsellers list in the late fifties. While Nabokov's Russian cultural roots have been much explored, Rand's were little realized prior to Chris Matthew Sciabarra's investigation of her Russian philosophical context. Nabokov and Rand represent polar examples of their cultural heritage: for Nabokov, the aesthetically-oriented tradition of the modernist (...)
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  • The Great American Novel. [REVIEW]Mimi Gladstein - 2000 - Journal of Ayn Rand Studies 1 (3):117-130.
    MIMI REISEL GLADSTEIN views Douglas Den Uyl's The Fountainhead: An American Novel as a further sign of the growing scholarly interest in Ayn Rand's works. The volume, featured in the Twayne Masterwork Studies series, develops the thesis that the novel is quintessentially American, by virtue of its core individualist values. Gladstein argues that Den Uyl could have profited from engagement with more literary critiques of the novel, especially recent feminist perspectives, but she finds his reading a convincing one.
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  • Essays on Ayn Rand's Anthem.Robert Mayhew - 2006 - Utopian Studies 17 (2):392-396.
    The essays in this collection treat historical, literary, and philosophical topics related to Ayn Rand's Anthem, an anti-utopia fantasy set in the future. The first book-length study on Anthem, this collection covers subjects such as free will, political freedom, and the connection between freedom and individual thought and privacy.
     
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  • Reply to D. Barton Johnson: Nabokov and Rand: Kindred Ideological Spirits, Divergent Literary Aims.Gene H. Bell-Villada - 2001 - Journal of Ayn Rand Studies 3 (1):181 - 193.
    Gene H. Bell-Villada argues that despite major differences in aesthetic, Nabokov and Rand share ideological attitudes resulting from their Russian émigré pasts. Both rejected "social" criteria for judgment and set out to build counter-models to socially oriented values. In their respective spheres, both were absolute purists, and as harsh and uncompromising as the Soviets they despised. Bell-Villada discusses his own relationship to Nabokov and Rand. "Hooked" on Nabokov in the 1960s, he later turned against and seriously criticized him. And, in (...)
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