Abstract

With the progressing mechanisation in the 17th century the qualitative exploration of the cosmos that appeared takes more and more place on the sidelines of the progressing way to modernity. This transformation itself is a phenomenon that can’t be simply cut off from it’s own tradition, as shown by the philosophy of René Descartes, who appreciates the value of the senses, of the capacity to see and the light much more than would be generally assumed. His creative way to place scientific images nevertheless don’t reaches anymore a living imagery which is expressed in the ›visus intellectus‹, but now is restricted to the activity of the ›ratio‹ and limited by the omnipotent god. This article focuses on the changes itself and not only at ›profit and loss‹ of several developments.