Abstract

The Viennese obsession with sex at the fin-de-siècle was vividly expressed in the artworks of Gustav Klimt and Egon Schiele. Their depictions of women demonstrated their fascination with and fear of female sexual pleasure and desire, reflecting a wider societal anxiety and erotic fixation. This paper will analyse selected paintings and drawings by both Klimt and Schiele to explore this dynamic of 'erotic neurasthenia.'