Abstract

The human being labours to understand and signify both the external world and himself - sometimes by objectifying himself with the potential he possesses; one of these labours emerges as art. Neither definition nor determination of the content of the concept of art is so clear cut because of its controversial nature in relation both to its different forms and references as the source of meaning. Some could assert even an ambiguity or boundlessness, insomuch as rejecting an essentialist concept of art encompassing all different kinds or forms of art. Therefore, this article attempts to ground the argument that art is one of the basic and constitutive procedures of signifying the external world - like philosophy and science – with the human being as the signifying subject.