Abstract

In the late nineteenth century and the early decades of the twentieth thematic resemblances to the Roman elegists in Paulus Silentiarius were explained as the result of the poets' reliance on a common Hellenistic source – usually this was identified as the so-called ‘subjective Alexandrian love elegy’ – and this represented a departure from the views of earlier scholars such as Hertzberg and Postgate, who had maintained that Paulus knew and imitated the elegists. In recent years the pendulum has swung back , and the prevailing opinion seems to be that the Roman elegists were known to Paulus. This is the view of, for instance, Giovanni Viansino in his edition of Paulus, of Elmar Schulz-Vanheyden in his important work on Propertius' relationship to Greek epigram, and of Hermann Beckby in his edition of the Greek Anthology. Recently, too, Gordon Williams has put forward a very strong case for earlier epigrammatists like Antipater and Crinagoras imitating the Augustan poets