Abstract

Since Wittgenstein's Tractatus first appeared in 1921 two interpretations of it have been offered. The received view emphasizes the book's philosophy of mathematics, logic, and language. The alternative view stresses its philosophy of religion, ethics, and aesthetics; it thereby takes seriously Wittgenstein's assertion that the "point" of the Tractatus is ethical. The aim of my dissertation is to build upon and improve the alternative interpretation in three ways. First I show through examination of the Western mystical canon that Wittgenstein's axiology is based on a conception of mentality in which the subject-object distinction is annulled. This clears the ground for clarification of the metaphor of the Tractatus as a "ladder" of transcendence. Next I illustrate through scrutiny of Schopenhauer's theory of art how this metaphor ties up with Wittgenstein's claim that "Ethics and Aesthetics are one." Like Schopenhauer, Wittgenstein holds that moral transformation may be wrought by aesthetic contemplation. I then conclude with a sketch of the Lebensform implied by such transformation which depends on the parallels implied by such transformation which depends on the parallels between Tolstoy's idea of the life outside of time and Wittgenstein's notion of das gute Leben. In so doing I depict the Tractatus's ethical point as gestural, recommending a kind of existence of which the book itself is an expressive part