Juno Moneta Atlas: Warburgian production or performing context-change

Philosophy of Photography 8 (1-2):119-130 (2017)
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Abstract

This article speculates connections between symbolic, pecuniary and formal economies in light of the question ‘what identifies Warburgian production?’ I propose that method occurs as a reflexive feature in Warburgian production. Engaging Elie Ayache’s discussion of the technology of the derivatives market, settheoretical intersection and the context of context-change I will sketch a non-representational Warburgian capacity, existing in the intervals and velocity changes between reproductive and distributive contexts.

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