Abstract

The conference The Question Concerning Technology closely links the themes of technology and production. The article aims to reconstruct the analyses that Heidegger, in the whole of his work, dedicates to the question of production. An essential oscillation thus emerges, between the search for originary production, rooted in the physis, and the destruction of the concept of production itself, between an escape from the technology and a deepening of its possibilities. The most fruitful direction that emerges from Heidegger’s analyses opens up to the idea of a post-metaphysical and non-subjective concept of acting.