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Pyramids at the Louvre: Music, Culture, and Collage from Stravinsky to the Postmodernists
Belknap Press (1994)
Abstract
Throughout, collage asserts its power to enlighten through juxtaposition, resist resolution, sponsor pluralism, and promote understanding of an order that eludes all edicts.
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Citations of this work
Parameters of Perception: Vision, Audition, and Twentieth-Century Music and Dance.Allen Fogelsanger & Kathleya Afanador - 2017 - Avant: Trends in Interdisciplinary Studies 8 (1):59-73.
Stravinsky and Others.Timothy D. Taylor - 2013 - Avant: Trends in Interdisciplinary Studies 4 (3):245-265.
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