Art and Politics in the Weimar Period: The New Sobriety, 1917-1933

New York: New Museum of Contemporary Art ; Boston : D.R. Godine (1978)
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Abstract

"The period between the end of World War I and Hitler's accession to power witnessed an unprecedented cultural explosion that embraced the whole of Europe but was, above all, centered in Germany. John Willett here provides a brilliant explanation of the aesthetic and political currents which made Germany the focal point of a new, down-to-earth, socially committed cultural movement that drew a significant measure of inspiration from revolutionary Russia and left-wing social thought, American technology, and the devastating experience of war."--Back cover.

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Citations of this work

Representation and Truthlikeness.Ilkka Niiniluoto - 2014 - Foundations of Science 19 (4):375-379.
The Menard Case and the Identity of a Literary Work of Art.Tomas Hribek - 2013 - In Tomas Koblizek, Petr Kot'átko & Martin Pokorný (eds.), Text + Work: The Menard Case. Litteraria Pragensia. pp. 6-34.
October : La Glace sans tain.Peter Muir - 2002 - Cultural Values 6 (4):419-441.

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