Abstract

At the end of May 1917, Max Weber attended a “cultural congress” at the picturesque castle of Lauenstein in Thuringia. The congress had been organized by the publicist Eugen Diederichs of Jena and by the Patriotic Society for Thuringia 1914. The moment was a particularly tense one in the life of the embattled German Reich. Against the advice of many cooler heads within the country, Germany had declared unrestricted submarine warfare in January, which together with other antagonistic moves on its part, had led to the entry of the United States into the war in April. By this point it was clear to all but the most indefatigable optimists that Germany would lose the war. In this atmosphere of dread and of new hope that a phoenix-like new Germany or a new humanity would arise out of the ashes of the war, the participants outlined their visions of the future. The eccentric former Social Democrat-turned-nationalist Max Maurenbrecher denounced capitalist mechanization but called for a revival of the traditional Prussian concept of the state, for an “idealistic state” and for workers to be educated towards national consciousness by means of the German literary and philosophical classics.