Abstract

Jacques Derrida's Politics of Friendship is adopted as a theoretical guide to the mutation of metaphysical categories under way in the shift from literacy to electracy. The politics is embodied in the design of a digital “memory palace,” created by the Florida Research Ensemble, whose setting is the city of Miami, Florida. Listening with an ear attuned by Derrida, through Freud and Heidegger, one hears in “Miami” a creole phrase “my friend” resonating with the aphorism by Aristotle—“O my friend, there is no friend”—whose “event” Derrida traces to the “other” beginning. His alternative politics of hospitality is articulated with the history of prudence and the possibility of an image category supporting digital deliberative reason in an Internet public sphere.