Abstract

Heidegger’s monumental Gesamtausgabe is divided into four parts. The first, from which the present book comes, will gather, in sixteen volumes, and annotate with Heidegger’s marginalia his already published works with the exception of his courses. The second part will present in some forty volumes his courses from 1923 through 1945. The third part will include some of his unpublished writings and conferences, while the fourth will be dedicated to notes and information on the works. The present work presents the text of his 1950 collection of essays "unchanged"—with two exceptions. The text of the first entry, "The Origin of the Artwork," is that of the slightly revised "Reclam" edition; and, as in the previously published editions of Sein und Zeit and Wegmarken, certain "stylistic or clarificatory corrections from the hand of the author" are made in the text without notation. This practice corresponds to Heidegger’s own wishes to avoid distracting philological apparatus and to present an "Ausgabe letzter Hand."