On the Quest for Better Communication through Tactile Images

Journal of Aesthetic Education 48 (2):105-122 (2014)
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Abstract

Art in Western civilization has become a commodity that is fixed to walls and viewed through the eyes. In fact, most museums and galleries post “Do not touch” signs dissuading audiences from partaking in anything but the visual aspects of art. Yet art production is something that is inherently tactile; it involves engaging with art media such as paint and brush or clay that is molded by the human hand.1 Compounded by the “Do not touch” attitude is the taboo in society that draws people away from sensuality, especially touch. Yet touch is a natural way of exploring the world and, according to many researchers, a natural and important way of exploring art as well.2 There are many historical examples of art that have ..

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