Abstract

This article explores phenomena of marginality in different areas of medieval culture. The introduction explains medieval concepts of the “margin”. In the first part, the author analyzes the tension between the “centre” and the “margin” as found in medieval conceptions of the world such as labyrinths and the mappae mundi. Secondly, he examines the interdependency of social and textual marginalization as it occurs in the 14th century Hausbuch of Michael de Leone. The third part of the article is dedicated to the Munich manuscript of Wolframs von Eschenbach Titurel, a text situated on the margins of the famous Parzival-novel both in terms of its physical location and also its poetic thought. The survey of these examples shows that margins often refer to the centre of cultural constellations despite their allegedly subsidiary role.