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Toward a Grammar of Abstraction: Modernity, Wittgenstein, and the Paintings of Jackson Pollock
Pennsylvania State University Press (1992)
Abstract
_Toward a Grammar ofion_ takes as its point of departure three features of modern art reading: the practice of translating the visual into institutional language, the vocabulary of representation in relation to abstract art, and the prevalence of totality as a model of art-historical knowledge
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