Abstract

The article starts with a reconstruction of Bernard Bolzano’s aesthetics as a paradigmatic example of the logical-semantic aesthetics tradition following Leibniz, which has been marginalized in Germany. It ends with perspectives for a future reconstruction of post-Hegelian aesthetics in the light of the semantic problem that became virulent in the analytical philosophy of language and in linguistics in the early 20th century. As a result, a continuity becomes visible between the allegedly idealistic 19th century and the theoretical developments in the wake of the linguistic turn that emphasize the irreducible linguistic character and sign structure of semantics.