Abstract

There are few aphorisms in Minima Moralia that display a less sympathetic attitude towards their subject than “They, the people”(§ 7). Adorno denounces the “amor intellectualis for [the] kitchen personnel” in the subsequent aphorism, but “They, the people” already seems to confirm all suspicions about the alleged elitism of critical theory. The idea that intellectuals mostly encounter those less educated when “illiterates come to intellectuals wanting letters written for them” is laughable, even for the 1950s, and the claim that, among the “underdogs”,“envy and spite surpass anything seen among literati or musical directors”(ibid.) oozes with contempt, no matter how much Adorno insists that these alleged character deficits result from the social structures in which uneducated, working class people find themselves. Yet the point of Adorno’s remarks is not to disprove a deferential form of a Lukácsian “standpoint theory …