Abstract

A Lens Problem arises when a movie viewer is dissatisfied with the physical information provided by shots taken with non-normal lenses. Experiences will vary, but the real possibility of the Lens Problem points to an important dimension of movie experience that is neglected by theories oriented to realistic seeing or imaginative seeing-as. Before we construe a presentation as documentary or fictional, we are in the first place watchers: our more or less constant watchful interest in gleaning useful information about position and movement in a world is a basis for the immediate and constant engagement of our attention by a movie and for an experience of progress or disappointment in learning from it