Kant’s Mathematical Sublime and the Role of the Infinite: Reply to Crowther

Kantian Review 20 (1):99-120 (2015)
  Copy   BIBTEX

Abstract

This paper offers an analysis of Kant’s account of the mathematical sublime with reference to his claim that ‘Nature is thus sublime in those of its appearances the intuition of which brings with them the idea of its infinity’. In undertaking this analysis I challenge Paul Crowther’s interpretation of this species of aesthetic experience, and I reject his interpretation as not being reflective of Kant’s actual position. I go on to show that the experience of the mathematical sublime is necessarily connected with the progression of the imagination in its move towards the infinite. View HTML Send article to KindleTo send this article to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about sending to your Kindle. Find out more about sending to your Kindle. Note you can select to send to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be sent to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply. Find out more about the Kindle Personal Document Service.Kant’s Mathematical Sublime and the Role of the Infinite: Reply to CrowtherVolume 20, Issue 1Simon D. Smith DOI: https://doi.org/10.1017/S1369415414000302Your Kindle email address Please provide your Kindle [email protected]@kindle.com Available formats PDF Please select a format to send. By using this service, you agree that you will only keep articles for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services. Please confirm that you accept the terms of use. Cancel Send ×Send article to Dropbox To send this article to your Dropbox account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to Dropbox. Kant’s Mathematical Sublime and the Role of the Infinite: Reply to CrowtherVolume 20, Issue 1Simon D. Smith DOI: https://doi.org/10.1017/S1369415414000302Available formats PDF Please select a format to send. By using this service, you agree that you will only keep articles for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services. Please confirm that you accept the terms of use. Cancel Send ×Send article to Google Drive To send this article to your Google Drive account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to Google Drive. Kant’s Mathematical Sublime and the Role of the Infinite: Reply to CrowtherVolume 20, Issue 1Simon D. Smith DOI: https://doi.org/10.1017/S1369415414000302Available formats PDF Please select a format to send. By using this service, you agree that you will only keep articles for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services. Please confirm that you accept the terms of use. Cancel Send ×Export citation.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,853

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Crowther and the Kantian Sublime in Art.C. E. Emmer - 2008 - In Valerio Rohden, Ricardo Terra, Guido Antonio Almeida & Margit Ruffing (eds.), Recht und Frieden in der Philosophie Kants: Akten des X. Internationalen Kant-Kongresses. Berlin, Germany: De Gruyter.
The Kantian sublime: from morality to art.Paul Crowther - 1989 - New York: Oxford University Press.
Kant on Painting and the Representation of the Sublime.Gabriele Tomasi - 2005 - Croatian Journal of Philosophy 5 (3):545-567.
The Digital Sublime: Lessons from Kelli Connell's Double Life.Yi-Hui Huang - 2012 - Journal of Aesthetic Education 46 (4):70-79.
The Moral Source of the Kantian Sublime.Melissa McBay Merritt - 2012 - In Timothy M. Costelloe (ed.), The sublime: from antiquity to the present. Cambridge: Cambridge University Press.
Reassessing Aesthetic Appreciation of Nature in the Kantian Sublime.Emily Brady - 2012 - Journal of Aesthetic Education 46 (1):91-109.
A theology of the sublime.Clayton Crockett - 2001 - New York: Routledge.

Analytics

Added to PP
2015-01-30

Downloads
90 (#189,552)

6 months
25 (#114,615)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Simon Smith
University of Sussex (DPhil)

References found in this work

The Kantian Sublime: From Morality to Art.Paul Crowther - 1990 - Philosophy 65 (253):380-382.
Bridging the Gulf: Kant's Project in the Third Critique.Paul Guyer - 2006 - In Graham Bird (ed.), A Companion to Kant. Malden, MA, USA: Blackwell. pp. 423–440.
Kant's sublime: A form of pure aesthetic reflective judgment.Patricia M. Matthews - 1996 - Journal of Aesthetics and Art Criticism 54 (2):165-180.

Add more references