Performing Live: Aesthetic Alternatives for the Ends of Art

Mind 111 (444):909-912 (2002)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.1093/mind/111.444.909

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,752

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Performing Live: Aesthetic Alternatives for the Ends of Art.Richard Shusterman - 2004 - Journal of Aesthetics and Art Criticism 62 (3):300-302.
Book review: Richard Shusterman. Performing live: Aesthetic alternatives for the ends of art. (New York: Cornell university press, 2000.). [REVIEW]Gustavo D. Cardinal - 2004 - Philosophy of Music Education Review 12 (1):89-93.
Performing live: Aesthetic alternatives for the ends of art.Trevor Whittock - 2002 - British Journal of Aesthetics 42 (1):90-93.
Performing Live: Aesthetic Alternatives for the Ends of Art.Jeanette Bicknell - 2003 - Philosophy of the Social Sciences 33 (4):506.
Performing Live: Aesthetic Alternatives for the Ends of Art (review).Gustavo D. Cardinal - 2004 - Philosophy of Music Education Review 12 (1):89-93.
Performing live: aesthetic alternatives for the ends of art.Richard Shusterman - 2000 - Ithaca, N.Y.: Cornell University Press.
Home Alone? Self and Other in Somaesthetics and "Performing Live".Richard Shusterman - 2002 - The Journal of Aesthetic Education 36 (4):102.
Living and Feeling at Home: Shusterman's "Performing Live".Kathleen Marie Higgins - 2002 - The Journal of Aesthetic Education 36 (4):84.
The Aesthetic Value of Performing Music.Gilead Bar-Elli - 2017 - Journal of Aesthetic Education 51 (1):84-97.
The Shape of the World: What if Aesthetic Properties Were Real?Crispin Sartwell - 2011 - Nordic Journal of Aesthetics 22 (40-41).
Imperfect Reasons and Rational Options.Douglas W. Portmore - 2012 - Noûs 46 (1):24 - 60.
Aesthetic Experience, Transitional Objects and the Third Space: The Fusion of Audience and Aesthetic Objects in the Performing Arts.Ian Woodward & David Ellison - 2010 - Thesis Eleven 103 (1):45-53.
Aesthetic Education and the Performing Arts.Richard Colwell - 1970 - The Journal of Aesthetic Education 4 (2):121.
The modes of value.Sven Ove Hansson - 2001 - Philosophical Studies 104 (1):33 - 46.
Recordings as Performances.Christy Mag Uidhir - 2007 - British Journal of Aesthetics 47 (3):298-314.

Analytics

Added to PP
2009-01-28

Downloads
90 (#189,009)

6 months
12 (#210,071)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Add more citations

References found in this work

No references found.

Add more references