Abstract

This book covers Schelling's development from the Early Writings through to his System of Transcendental Idealism, and finally Schelling's Philosophy and Religion and Philosophy of Art. Schneider traces Schelling's "way of thinking" beginning with his attempt at a transcendental philosophy centering on the Ego as the primordial principle for the cognition of being, through his explication of the unity of being and thinking in an intellectual intuition, to finally, Schelling's highest achievement in the conception of thinking as art. Art is here considered as the organon or "vehicle" for a philosophy of religion. Schneider contends that this development is a consistent, continuous one devoid of the contradictions that several of the modern commentators attribute to Schelling. Schneider points out that as early as 1794 Schelling saw the central problem in transcendental philosophy as explicating the "eternal in us" and how it can be brought to light through a philosophical methodology. However, Schneider further contends that it was not until Schelling established his philosophy of identity in the System of Transcendental Idealism that he found the method for uncovering the eternal dimensions within consciousness. This discovery was made possible because intellectual intuition, which for the first time was fully worked out in the System, is seen as the apprehension of the invariable unity within the plurality and variability of temporal consciousness. The form of the invariable is the absolute "I" or the primordial self, while that which presents itself in time is the empirical "I" with its content of thought, namely, sensuous intuition. Cognition is accomplished at the point of unity wherein the world in its finitude is "framed" by the transcendental unity of the "I" in pure act.