Abstract

The article sets out from an understanding of design as an aesthetic form of practical world access. This is specified to the effect that design gives the world an expression in the first place: design is a way through which the world comes to view. This assumption is to be explained in more detail by means of a phenomenologically shaped concept of topology. At the center of a phenomenological topology lies the concept of place. According to Edward Casey, the nature of place should be determined on the basis of the connection between things and the livedbody, whose topological meaning will first be explained in more detail. In the second step, it is then shown that design is topological design. Design as aesthetic workmakes the world appear by referring to the two constitutive moments of place, the gathering of things and the entangled corporeality, and thus brings the world to view in a topological fashion.