Abstract

Theories that treat Artistic Research (AR) as their object have been experiencing a boom since the beginning of the 21st century. Increased interest in AR resulted from a historical situation interconnecting at least three fields. First, the art world, which, starting in the 90s, produced AR as a phenomenon in the first place; second, higher education policy, which, in the implementation discussions concerning the Bologna reforms from the 90s onwards, drew on reflections on AR; and third, Germanophone aesthetics, which, during the 2000s, paid increased attention to heteronomy aesthetics. Within these fields, multiple factors are to be accounted for to understand both the sudden increase in pertinence as well as the concrete shape that these theories took in the Germanophone sphere.