Acoustic Constraints and Musical Consequences: Exploring Composers' Use of Cues for Musical Emotion

Frontiers in Psychology 8 (2017)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,891

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Music and the Representation of Emotion.James O. Young - 2013 - Frontiers of Philosophy in China 8 (2):332-348.

Analytics

Added to PP
2017-11-26

Downloads
32 (#487,392)

6 months
5 (#837,449)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

The expression of the emotions in man and animal.Charles Darwin - 1898 - Mineola, New York: Dover Publications.
Emotion and meaning in music.Leonard B. Meyer - 1956 - [Chicago]: University of Chicago Press.
Emotion and Meaning in Music.Julius Portnoy - 1957 - Journal of Aesthetics and Art Criticism 16 (2):285-286.

View all 14 references / Add more references