Abstract

Considering The Third Man as an “entertainment” with “serious religious and ethical engagement,” this essay suggests the novel’s ultimate discrediting of the despair indicated by the desolate setting, postwar Vienna, and by Jansenist determinism. Two thematically crucial scenes address this despair: the visit to the office of Dr. Winkler, the cynical relic collector; and the interview between the protagonist and the charlatan Harry Lime, who has faked his own death, as they ride on the Great Wheel. “Both Lime’s speech atop the Wheel and Winkler’s dismissal of the relics point the reader to the same interpretive enigma: bodies are nothing more than charnel or they are significant spiritual ‘clues.’” A comparison to the story “A Visit to Morin” shows how The Third Man forces a confrontation with the possibility of grace.