Abstract

Adorno's aesthetic is organized in fields of force, under which orbiting constellations of categories which reflect the truth of the managed world in the era of late capitalism. Understand the nuances of this aesthetic is preparing to reinterpret the world, so as to achieve the things forgotten by the concept. In this sense, the aesthetic becomes a way of reconnecting the human sciences with the reality, from the recovery of sensitivity troubled by the dominance of instrumental reason