18 found
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  1.  8
    Estetica e natura umana: la mente estesa tra percezione, emozione ed espressione.Giovanni Matteucci - 2019 - Roma: Carocci editore.
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  2.  18
    I gradi dell'organico e l'uomo di Helmuth Plessner.Andrea Borsari, Giovanni Matteucci & Marco Russo - 2007 - Iride: Filosofia e Discussione Pubblica 20 (3):635-652.
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  3. Editoriale–Sensibilità & linguaggio.Fabrizio Desideri & Giovanni Matteucci - 2009 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 2 (1).
     
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  4.  5
    Adorno’s Aesthetic Constellation from Shudder to Fashion.Giovanni Matteucci - 2017 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 62 (1):42-56.
    By taking seriously an Adornian suggestion, according to which art should be understood as something that “has become what it is”, the main purpose of this essay is to provide an essential reconstruction of Adorno’s aesthetic program. The latter places art within a curve, or constellation, that has the experience of the “shudder” as its anthropological beginning and an ending corresponding to the current context, characterized by the widespread diffusion of the aesthetic dimension (thanks to the “logic” of fashion). Our (...)
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  5. Artistic field and historical-material a priori.Giovanni Matteucci - 2011 - Rivista di Estetica 48:113-131.
     
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  6.  13
    Campo artistico e apriori storico-materiale.Giovanni Matteucci - 2011 - Rivista di Estetica 48:113-131.
    In order to grasp the link between the “natural” and the “historical” that characterizes the reality of art, this paper aims to an examination of the concept of “artistic field” in contrast with “art world”. The notion of field reflects the dynamical status of the reality of art as institutional process, that roots in the sociological and anthropological experience of human being in his interaction with his environment. The analysis of this interaction carried out by Pierre Bourdieu and Arnold Gehlen (...)
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  7.  7
    Ciò che Testadura non sa.Giovanni Matteucci - 2008 - Rivista di Estetica 38:71-84.
    1. Fino a qualche decennio fa l’estetica rappresentava l’approdo vagheggiato da filosofi insofferenti nei confronti del sistema socio-culturale vigente oppure nei confronti dell’intera metafisica occidentale. Penso a Marcuse e ad Adorno, ma anche a chi ha intravisto nel gioco nell’arte la matrice della rivelazione dei più essenziali misteri dell’essere. I tempi sono cambiati. Se siamo qui a interrogarci sul futuro dell’estetica, essa quanto meno non appare più l’approdo utopico di allora. epp...
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  8. “Der Artist Valéry” nella teoria estetica di Adorno.Giovanni Matteucci - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).
    This paper aims to outline the importance of Valéry with respect to some cornerstones of Adorno’s aesthetic theory as a negative-dialectical thought. Adorno’s concept of aesthetic experience finds in Valéry as an “Artist” (not simply as a “Künstler”) a sort of lieutenant: he helps to specify notions like “apparition”, “form”, “configuration”, and above all the idea of the aesthetic as a relation by which something happens in the field of human experience without being a determinate, or determinable, content of it.
     
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  9.  2
    Il sensibile rimosso: itinerari di estetica sulla scena americana.Giovanni Matteucci - 2015 - Milano: Mimesis.
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  10. L'immagine che appare.Giovanni Matteucci - 2008 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 1 (2).
     
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  11.  4
    La natura delle emozioni.Giovanni Matteucci & Mariagrazia Portera (eds.) - 2014 - Milano: Mimesis.
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  12. La paralinguisticità dell'estetico.Giovanni Matteucci - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5.
    What is alike between aesthetic and linguistic? And what is basically unlike? This paper focuses on this ambiguous relation in order to point out how the aesthetic expressiveness is an original one. And it's from the point of view of the dialectical nexus between aesthetic experience and language that interesting suggestions are drawn here from different authors (Adorno, Borges and the Italian novelist Luigi Meneghello).
     
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  13.  8
    Modes of Experience: Everyday Aesthetics Between Erlebnis and Erfahrung.Giovanni Matteucci & Gioia Laura Iannilli - 2021 - Espes. The Slovak Journal of Aesthetics 10 (2):39-55.
    This paper focuses on the notion of experience, whose conceptual analysis seems to be often neglected or at least not sufficiently made explicit in the current discourse on Everyday Aesthetics. In our investigation this notion will be tackled, in particular, through the lens of such concepts as Erlebnis, Erfahrung, and Lebenswel t, which are drawn from the continental philosophical tradition. Purpose of the paper is to present a provisional framework aimed at clarifying that a more accurate conceptualization of experience allows (...)
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  14.  12
    Modes of Experience: Everyday Aesthetics Between Erlebnis and Erfahrung.Giovanni Matteucci & Gioia Laura Iannilli - 2021 - Espes. The Slovak Journal of Aesthetics 11 (1):39-55.
    This paper focuses on the notion of experience, whose conceptual analysis seems to be often neglected or at least not sufficiently made explicit in the current discourse on Everyday Aesthetics. In our investigation this notion will be tackled, in particular, through the lens of such concepts as _Erlebnis, Erfahrung_, and _Lebenswel_t, which are drawn from the continental philosophical tradition. Purpose of the paper is to present a provisional framework aimed at clarifying that a more accurate conceptualization of experience allows for (...)
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  15.  18
    On Dewey’s Trail.Giovanni Matteucci - 2021 - European Journal of Pragmatism and American Philosophy 13 (1).
    This papers aims at showing how Dewey’s legacy can contribute to better understand the correlation between the problem of meaning and the description of the aesthetic in the framework of a specifically enactivist approach to the model of the extended mind. My thesis is that Dewey’s characterization of this issue has a general theoretical import in that it makes it inappropriate to speak of “aesthetic meanings,” or even of “meanings of the aesthetic.” It instead highlights the aesthetic character of meaning (...)
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  16.  75
    Presentazione.Giovanni Matteucci - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1):3-4.
    The first Aisthesis’s Special Issue collects the contributions to the conference “Riconcepire l’estetica. Prospettive a confront” that have been held in Florence in February 2012, organized by “Aisthesis”, “Rivista di Estetica” and “Seminario permanente di estetica”(SPES) in the perspective to contribute to a radical reconfiguration of conceptual domain of aesthetics.
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  17. Towards a Wittgensteinian Aesthetics. Wollheim and the Analysis of Aesthetic Practices.Giovanni Matteucci - 2013 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 6 (1):67-83.
    In order to investigate the possibility to develop Wittgenstein's suggestions about aesthetics, this paper will focus on the organic perspective elaborated by Richard Wollheim in «Art and Its Objects». In this regard we will try to emphasize how the concept of art as a "form of live" - explicit in Wollheim - involves the analysis of the practices embodied in the experience of art starting from those of representation. The inception modes of such practices of representation need to be described (...)
     
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  18.  4
    Gadamer: bilanci e prospettive: atti del convegno svolto in collaborazione con l'Istituto italiano per gli studi filosofici (Bologna, 13-15 marzo 2003).Michele Gardini & Giovanni Matteucci (eds.) - 2004 - Macerata: Quodlibet.
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