Abstract

But of all diversions, the theater is undoubtedly the most entertaining. Here we may see others act even when we cannot act to any great purpose ourselves. Skepticism about the possibility of autonomous action accounts in part for romanticism’s many theatrical failures—misfires precisely because they stage failures to act. Uncertain whether the playing out of the revolution in France underscored the capacity of people to act independently or confirmed their status as mere instruments of heteronymous forces, the romantic dramas of Heinrich Von Kleist and William Wordsworth direct our attention not to the actions of characters but to the character of action. This uncertainty about the possibility of ..