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The Invisible Content of Visual Art
In Danto and His Critics. Malden, MA: Wiley-Blackwell. pp. 41–54 (1993)
Abstract
This chapter contains sections titled: Resemblance Modularity Conclusion.Author's Profile
Danto's distinction, a plasticity critical in perceptions of art invisible content of visual art, intersection of art and science histories of art and science, why each takes its own course Danto's claims of picture perception, as cognitively impenetrable recognitional abilities, not affected by learning, experience Danto's reliance of picture perception, on perceptual abilities Danto, on pictorial diversity, as artistic skills and know‐how role of modularity and resemblance, in Danto's philosophy of art a work of visual art, dependence on resemblance, for Danto Danto's resemblance and indiscernibles, a reliance on resemblance
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Citations of this work
The artful mind meets art history: Toward a psycho-historical framework for the science of art appreciation.Nicolas J. Bullot & Rolf Reber - 2013 - Behavioral and Brain Sciences 36 (2):123-137.
Arthur Danto’s Philosophy of Art: Essays.Stephanie Ross - forthcoming - British Journal of Aesthetics:ayac023.
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