Abstract

For some, Vladimir Nabokov's Lolita is the definitive example of the aesthete's outlook with its combination of the narrator's sordid actions and his iridescent wordplay—not to mention Nabokov's own endorsement of the novel as a locus for "aesthetic bliss."1 In recent years, criticism of Lolita has challenged the aesthete's amoral perspective by suggesting that the work's aesthetic qualities are inextricably coupled with moral questions.2 Leona Toker, Colin McGinn, and Richard Rorty are three notable critics who suggest, in different ways, that Lolita is a normative text that can educate its readers; that it can teach virtue.In many ways, this is a boldly contrarian position, defying satirical elements in the text ..