Abstract

Drawing from Andean cosmological, mythological and aesthetic lineages, this paper is about the possibility of a phenomenology of things at catastrophic ends. In this regard, I approach things under the sway of a (de)formative emptiness. In the first part, I develop a relational ontology on the basis of the Andean notion of pacha or cosmos, which provides a phenomenological frame for a determination of “place,” “world” and “topology.” I also contrast an elemental topology of the cosmos configured by ouranic sunlight with an elemental catastrophism that overturns it. In the second part, I study a chronological series of artifacts in an Andean aesthetic lineage in order to attempt a phenomenology of “things” (utensils, buildings, mountains) that “spectrally” hover in overturns of the cosmos (pachakuti).