Abstract

En filosofía, la imagen ha solido ligarse al problema del conocimiento como elemento exterior a la verdad. Una perspectiva distinta no la somete a criterios lógicos, sino que indaga sus potenciales teóricos y prácticos. Se estudia la estructura interna de la idea de imagen tal como la reconstruye Maurice Blanchot en la experiencia literaria. Se muestra su vinculación a un carácter "aurático" que expone la lectura a una experiencia de distanciamiento crítico respecto de sus presupuestos no tematizados en su participación dentro de las formaciones culturales. The image has been usually bound to the problem of knowledge as an element which is external to the true. Another line of reflection does not submit it to logical criteria, instead it enquires about its theoretical and practical potentials. In this paper we study the internal structure of the idea of the image as reconstructed by Maurice Blanchot within literary experience. We will show the idea of the literary image as bound to an "auratic" character which exposes reading to an experience of critical self-disclosure of the non thematized assumptions in their participation within cultural formations.