Abstract

This article aims to provide a corpus-based evidence of the ubiquitous presence of metaphors in verbal discourse about classical music and the embodied basis of metaphors for musical motion. We analyzed authentic examples extracted from a 5,000-word corpus of texts taken from peer-reviewed music academic journals. We applied a systematic method to identify metaphor-related words and to label conceptual metaphors that reduces the analyst’s bias in the identification of metaphors. Our main findings are: the presence of metaphors in academic discourse on music is significantly higher than in academic discourse in general ; most of the identified metaphors to describe musical motion are correlational metaphors ; and metaphors for musical mot..