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Camera Indica: The Social Life of Indian Photographs
University of Chicago Press (1997)
Abstract
These quiet but moving images represent the changing role of photographic portraiture in India, a topic anthropologist Christopher Pinney explores in Camera Indica.
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Christopher Pinney, Photography and Anthropology. London: Reaktion Books, 2011. Pp. 174. ISBN 978-1-86189-804-3. £17.95. [REVIEW]Geoffrey Belknap - 2012 - British Journal for the History of Science 45 (3):469-470.
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Citations of this work
Layer after layer: Aerial roots and routes of translation.Dirk Wiemann - 2021 - Thesis Eleven 162 (1):33-45.
Situating Darśan: Seeing the Digambar Jina Icon in Eighteenth- and Nineteenth-Century North India.John E. Cort - 2012 - International Journal of Hindu Studies 16 (1):1-56.
Svāmī Vivekānanda’s Iconic Presence and Conventions of Nineteenth-Century Photographic Portraiture.Gwilym Beckerlegge - 2008 - International Journal of Hindu Studies 12 (1):1-40.
‘The Purdahnashin in Her Setting’: Colonial Modernity and the Zenana in Cornelia Sorabji's Memoirs.Antoinette Burton - 2000 - Feminist Review 65 (1):145-158.
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