The Art of the Spectator: Seeing Sounds and Hearing Visions

Diogenes 49 (193):77-87 (2002)
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Abstract

Even before Erving Goffman, in his studies of interaction, develops and makes the most of the metaphor of a daily life entirely composed of representation, or even stage acting, sociology had already stolen from theatre a number of terms and modes particular to it: the concept of “role”, to take the most classic example, but also the term “actor”, which sociology in fact translates as social actor.

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