Abstract

This article disputes Freud's reading of “The Sandman,” in which he seeks to explain the text's uncanniness primarily with reference to his theory of the castration complex. Rather than abandon Freud altogether, however, I demonstrate how the uncanny effects of Hoffmann's tale are best understood with reference to Freud's concept of “total narcissism.” Specifically, I argue that the ambiguities surrounding this notion are profoundly interwoven with the uncanniness of “The Sandman's” “doubles.” Finally, using these analyses as a foundation, I present my own interpretation of “The Sandman's” subtextual narrative, arguing that the tale effectively dramatizes the self-destructive tendencies of the individual dominated by total narcissism.