Análisis semiótico del film “Birdy” del director Alan Parker/Semiotic Analysis of the Film “Birdy” by the Director Alan Parker

Telos (Venezuela) 11 (1):11-34 (2009)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,438

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Francis H. Parker, 1920-2004.Alan Paskow, Valerie Parker Sugden, Cynthia Parker, Bob McArthur, Dan Cohen, Bill Rowe, Calvin Schrag, Aryeh Kosman, Bo Schambelan, Marc Briod & Bob Martin - 2007 - Proceedings and Addresses of the American Philosophical Association 81 (2):176 - 179.
New York Film Festival 2002.Martha P. Nochimson - 2002 - Film-Philosophy 6 (3).
Mulholland Drive.Zina Giannopoulou (ed.) - 2013 - Routledge.
Guilt & the Myth of the Innocent Bystander: Louis Malle's Au revoir les enfants.Marie-Christine Jutras - 2010 - Constellations (University of Alberta Student Journal) 2 (1).
Multimodal film analysis: how films mean.John A. Bateman - 2012 - New York: Routledge. Edited by Karl-Heinrich Schmidt.

Analytics

Added to PP
2013-12-12

Downloads
3 (#1,697,950)

6 months
1 (#1,498,742)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references