Abstract

In this paper, I examine Horkheimer and Adorno's original take on the idea of a critical anthropology, as they work it out in Dialectic of Enlightenment. In particular, I address a set of concerns that commentators have formulated against their view. I do so through a close examination of the first excursus of the book. In particular, I argue, first, that this excursus can be read as an investigation into the prototype of the self (Odysseus), understood as a mimetic model of the self; second, that Horkheimer and Adorno see in Odysseus' cunning the model of reflectivity.