On Reification and Extreme Violence. Mimesis, Play and Power in Adorno

Critical Horizons 22 (4):402-419 (2021)
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Abstract

ABSTRACT In this paper, I will offer some examples of the effectiveness of Adorno’s concept of mimesis for an analysis of extreme violence and for a defence of democratic institutions against possible regressions into authoritarian regimes. I will start by reading the concept of mimesis through the lens of the interlacement between the concepts of play and power. My aim is twofold: first, I wish to further the analysis of Adorno’s concept of mimesis by showing that it can be interpreted as a form of play, which either empowers subjectivity or becomes a means of domination; second, I will use these speculations to highlight the relevance of Horkheimer and Adorno’s explanation of anti-Semitic violence when seen through the lens of the concept mimesis. Before concluding, I will briefly highlight Adorno’s ideas about what makes democracy vulnerable to potential regressions into extreme violence, and examine what can be done practically – from an Adornian perspective – to avoid regression: defending democratic institutions, and working towards a removal of those barriers that obstruct genuine mimetic experience and self-reflection.

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Marco Angella
University Paris Nanterre

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References found in this work

Education After Auschwitz.Theodor W. Adorno - 2020 - Філософія Освіти 25 (2):82-99.
Aesthetic Theory.Theodor W. Adorno, Gretel Adorno, Rolf Tiedemann & C. Lenhardt - 1986 - Journal of Philosophy 83 (12):732-741.
Mimesis: Culture--Art--Society.Gunter Gebauer, Christopher Wulf & Don Reneau - 1997 - Philosophy East and West 47 (2):291-292.
Saying things that hurt: Adorno as educator.Volker Heins - 2012 - Thesis Eleven 110 (1):68-82.

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