Abstract

Childhoodas innocence as needing protection and lacking Childhoodand agency, the figure of the child is always a potential Childhoodas victim in whose name political battles based in moral panics are often waged. But where does this abstract child figure leave real children, who are not as void of desire, Childhoodand agency, and Childhoodand sexuality as contemporary understandings of childhood imply? The Black Mirror episode “Shut Up and Dance” approaches this question through the story of its teenage protagonist, Kenny, who is blackmailed into committing increasingly violent and dangerous tasks so as to prevent the release of a video that shows him masturbating to pornography. Although in being sexual Kenny has fallen from the pedestal of childhood Childhoodas innocence, his awkwardness, vulnerability, and intense shame about the video nonetheless mark him as non-adult, and the punishments he endures seem disproportionate and abusive—until, that is, we learn that it was Child pornography Kenny was masturbating to. Faced with the idea of Childhoodas victim that the mention of Child pornography evokes, can we still also conceive of Kenny as a victimized child, or does he, in that revelatory moment, irreversibly grow up into a predatory adult? Drawing on scholarship situated at the productive intersections of childhood studies and Queer theory, this chapter interrogates conceptions of the Childhoodas victim and analyzes how “Shut Up and Dance” complicates the dominant discourse on child abuse.