Abstract

The cultural logic contained within Emile Durkheim's work, specifically categories he puts forth in Suicide, creates the ground for Horrible Workers. This book is constructed to allow its readers to study the cases of Max Stirner, Arthur Rimbaud, Robert Johnson, and the Charles Manson Circle independently of one another or in a comparative fashion. Each case demonstrates in what ways particular social experiences lead to what have been perceived as unique forms of cultural expression