Abstract

It may be surprising that the paradox of tragedy is worthy of further attention.1 After all, there are good reasons to assume that at least several of its presuppositions are problematic. Furthermore, it has been questioned whether the paradox forms a problem of its own or if it should be discussed as an issue within the field of pleasurable negative emotions.2 Reasonable objections seem no less important, which regard it as far from self-evident that rational agents merely seek pleasure or flee pain or that emotions have a specific hedonic quality at all.3 If apparently negative emotions, however, do not have to be painful in the first place, it becomes less of a problem why they should ever be..