Abstract

In this article I discuss the prosthetic phenomenon during the First World War and Weimar Germany. As opposed to contemporary trends, with their inflationary use of the ‘prosthesis’, sometimes even hypothesizing ‘prostheticization’ as a paradigm, I seek to return the debate about the prosthesis to its historical concreteness. I describe the phenomenology of the prosthesis in three senses: first, in the statistical sense, in the form of a dramatic growth in the number of prostheses; second, in the visual sense, in the form of a dramatic growth in the visibility of the prosthesis. Basing myself on the Heideggerian perception of the ‘phenomenon’, I seek to reveal an additional, third, aspect of the phenomenology of the prosthesis. It is my contention, against the background of the major catastrophe of the First World War and the frequent crises that afflicted Weimar Germany, but also in the light of additional contexts — technological, economic, cultural — that the prosthesis was increasingly perceived as a phenomenon, i.e. as something which appeared in a wide range of ways — as prosthesis, as tool (hammer, writing instrument), as an organic limb (hand, leg), and even as a paradigm (man as ‘prosthetic God’, man as ‘Dasein’).