Painting’s double: Andrew Benjamin’s Disclosing Spaces

Thesis Eleven 104 (1):108-113 (2011)
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Abstract

Andrew Benjamin’s book Disclosing Spaces (2004) presents a theory of painting. The theory is developed via a meticulous analysis of a series of individual artworks. The pivot of Benjamin’s theory of painting is the idea of relationality. The theory is critically reviewed with reference to the works of Edward Hopper, Gerhard Richter and Jacques-Louis David

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10.1177/0725513611399391

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Peter Murphy
University of Indianapolis

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