Abstract

This paper examines the pretence theories of irony of Jancke (1929) and Currie (2007) and argues for a pretence theory according to which the evaluations of the ironist are more important than his emotions, negative and positive, and bear principally on cognitive values. The formal object of irony is foolishness and not any ethical, political or aesthetic disvalue. I suggest that the view of irony outlined resembles in many respects the conception of irony to be found in the writings of Robert Musil.