Creativity, singularity and techné : The making and unmaking of visual objects in modernity

Angelaki 11 (1):75-87 (2006)
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Abstract

In an essay published in 1918, Walter Benjamin sets forth a task that will concern him for the rest of his life: The task of a future epistemology is to find for knowledge the sphere of total neutr...

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10.1080/09697250600797906

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References found in this work

Cinema 1: The Movement Image.Gilles Deleuze, Hugh Tomlinson & Barbara Habberjam - 1988 - Journal of Aesthetics and Art Criticism 46 (3):436-437.
On the origins of "aesthetic disinterestedness".Jerome Stolnitz - 1961 - Journal of Aesthetics and Art Criticism 20 (2):131-143.
Hegel: The Restlessness of the Negative.Jean-Luc Nancy - 2002 - University of Minnesota Press.

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